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海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書

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出版社:福建教育出版社出版時間:2018-06-01
開本: 其他 頁數: 172
本類榜單:藝術銷量榜
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海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 版權信息

  • ISBN:9787533481179
  • 條形碼:9787533481179 ; 978-7-5334-8117-9
  • 裝幀:一般銅版紙
  • 冊數:暫無
  • 重量:暫無
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海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 本書特色

海峽兩岸民間工藝口述史叢書(第 一 輯)是國家出版基金項目,被納入國家十三五重點規(guī)劃項目?!逗{兩岸木版年畫藝術口述史》是該叢書中的一本。本書通過對海峽兩岸木版年畫傳承人、研究學者口述資料的搜集與整理,一方面填補了該領域的史料空白,另一方面較為全面地展現了海峽兩岸民間年畫藝術的整體風貌與發(fā)展現狀。

海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 內容簡介

海峽兩岸民間工藝口述史叢書(靠前輯)是國家出版基金項目,被納入國家十三五重點規(guī)劃項目。《海峽兩岸木版年畫藝術口述史》是該叢書中的一本。本書通過對海峽兩岸木版年畫傳承人、研究學者口述資料的搜集與整理,一方面填補了該領域的史料空白,另一方面較為全面地展現了海峽兩岸民間年畫藝術的整體風貌與發(fā)展現狀。

海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 目錄

目 錄 前言:遙遠的回響······················································1 **章 閩臺木版年畫的源流···········································7 **節(jié) 福建木版年畫·················································9 一、福建歷史與民俗文化···············································10 二、福建木版年畫的起源與發(fā)展········································13 第二節(jié) 臺灣木版年畫················································16 第三節(jié) 兩岸木版年畫的深厚淵源······································18 第二章 漳州木版年畫················································21 **節(jié) 漳州木版年畫概述············································23 第二節(jié) 漳州木版年畫的材料與工藝····································25 一、漳州木版年畫的工具與材料········································25 二、漳州木版年畫的制作工藝··········································29 第三節(jié) 漳州木版年畫口述史··········································34 一、顏仕國:“版畫靠我個人來演變,演變不來。” ··························34 二、顏志仁:“我愿意教刻版,但沒人愿意學??!” ··························38 三、陳斌:“這個版每天都在消耗。” ···································39 四、周鐵海:“木版年畫是漳州的一個寶。” ·····························45 五、林育培:“如果漳州木版年畫失傳,那真的很可惜!” ·················51 第四節(jié) 漳州木版年畫精品············································60 一、門神畫、門畫····················································60 二、宗教用年畫······················································77 三、燈畫與紙扎畫····················································83 四、戲出年畫、風俗畫················································88 五、游戲圖··························································95 第三章 泉州木版年畫················································97 **節(jié) 泉州木版年畫概述············································99 第二節(jié) 泉州木版年畫精品···········································101 一、門神畫、門畫···················································101 二、燈畫與紙扎畫···················································104 三、游戲圖·························································111 第四章 臺灣木版年畫···············································113 **節(jié) 臺灣木版年畫概述···········································115 一、 閩南移民與臺灣民俗文化·········································115 二、 臺灣年畫的發(fā)展簡史············································117 第二節(jié) 臺灣木版年畫的材料與工藝···································120 第三節(jié) 臺灣木版年畫口述史·········································122 一、陳羿錫:“等人們意識到要保護的時候,它們已經流失太長時間了。” ·····························································122 二、楊永智:“臺灣現在有的是機器,有的是科技,卻沒有會手工印的師傅。” ·····························································129 三、吳望如:“所以我們讓孩子來做藏書票,但是我們后面的目的是推動版畫的傳承。” ·····························································137 第四節(jié) 臺灣木版年畫精品···········································144 一、門神畫、門畫···················································144 二、宗教用年畫·····················································159 三、燈畫與紙扎畫···················································161 四、戲出年畫·······················································164 五、游戲圖·························································166 參考文獻···························································169 后  記···························································171
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海峽兩岸民間工藝口述史叢書海峽兩岸木版年畫藝術口述史/海峽兩岸民間工藝口述史叢書 作者簡介

主編簡介
李豫閩,教授,博士生導師?,F任福建師范大學美術學院院長,美術學一級博士點帶頭人,美術學一級博士后流動站帶頭人。福建省政協(xié)委員。全國百篇優(yōu)秀博士論文評審委員,文化部、教育部研究生教育藝術指導委員會委員,中國民間文藝家協(xié)會會員,中國美術家協(xié)會會員,中國美術家協(xié)會美術教育委員會委會,教育部哲學社會科學優(yōu)秀成果獎評審委員,中國·閩南文化生態(tài)實驗保護區(qū)專家委員會委員,福建省非物質文化遺產保護項目及傳承人申報評選專家,福建師范大學非物質文化遺產保護與研究中心常務副主任。2016年被福建省人民政府評為“文化名家”。
作者簡介
王曉戈,湖北武漢人,美術學博士?,F為福建師范大學美術學院副教授、碩士生導師、福建省文聯藝術委員會青年委員、福建省民間文藝家協(xié)會常務理事、中國民間文藝家協(xié)會會員。主要從事閩臺民間美術、工藝美術、手工藝設計研究。出版有《漳州木版年畫藝術》《閩南木版年畫研究》《中國木版年畫集成·漳州卷》(合著)等作品,另有多篇學術論文發(fā)表。主編簡介 李豫閩,教授,博士生導師?,F任福建師范大學美術學院院長,美術學一級博士點帶頭人,美術學一級博士后流動站帶頭人。福建省政協(xié)委員。全國百篇優(yōu)秀博士論文評審委員,文化部、教育部研究生教育藝術指導委員會委員,中國民間文藝家協(xié)會會員,中國美術家協(xié)會會員,中國美術家協(xié)會美術教育委員會委會,教育部哲學社會科學優(yōu)秀成果獎評審委員,中國·閩南文化生態(tài)實驗保護區(qū)專家委員會委員,福建省非物質文化遺產保護項目及傳承人申報評選專家,福建師范大學非物質文化遺產保護與研究中心常務副主任。2016年被福建省人民政府評為“文化名家”。 作者簡介 王曉戈,湖北武漢人,美術學博士?,F為福建師范大學美術學院副教授、碩士生導師、福建省文聯藝術委員會青年委員、福建省民間文藝家協(xié)會常務理事、中國民間文藝家協(xié)會會員。主要從事閩臺民間美術、工藝美術、手工藝設計研究。出版有《漳州木版年畫藝術》《閩南木版年畫研究》《中國木版年畫集成·漳州卷》(合著)等作品,另有多篇學術論文發(fā)表。 劉雅琴,山西大同人,本科就讀于福建師范大學美術學院服裝設計專業(yè),研究生就讀手工藝設計與研究專業(yè),在校期間曾多次獲得獎學金,并有多篇學術論文發(fā)表。

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